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Sea Forest: Mangroves 2023

Rough cut, 4K video, 6’40”

Digital print on paper, dimensions variable 

New project in progress Sea Forest by Yu-Chen Wang explores Taiwan's hydrological landscapes and the highly diverse ecosystem of mangroves

 

Yu-Chen Wang has a longstanding interest in exploring the relationship between technological advancement, human progress, and the complexity of human impacts on the environment. Over the past two years, she has created a series of works in response to the history of coal mining in the UK and the use of peatlands for agriculture and fuel, addressing the crises triggered by carbon emissions, depletion of natural resources, and biodiversity loss.

 

In the summer of 2023, the artist undertook field research along the west coast of Taiwan, focusing on the estuaries of the Tamsui River, the Zhuoshui River and the Zengwen River. She delved into the historical context of hydrological landscapes, exploring the highly diverse ecosystem of mangroves. The project investigates how this unique sea forest faces habitat destruction due to human development; how the large-scale artificial afforestation of the 1980s, under Water Resources Agency policies, contributed to the current ecological imbalance. Consequently, the ongoing removal of mangroves has emerged as an environmental issue, particularly in defence of Taiwan's endemic species, the fiddler crab (Uca formosensis). However, mangroves provide ecosystem services such as stabilising coastlines, preventing erosion, purifying water, wind protection, and reducing the impact of storm surges. More importantly, they serve as a crucial carbon sink and have climate-regulating functions. This is a nature-based response strategy that is urgently needed globally and cannot be ignored in the face of climate change.

Sea Forest is an ongoing project and the first stage of work-in-progress has been shown at the exhibition Writing About Change in Solid Art, Taipei. Curated by Hung-Fei Wu, the exhibition is part of the Citing Bar, a platform exploring environmental humanities, sustainability and feminism.

EXHIBITION

Writing About Change

25 Nov 2023 - 20 Jan 2024

Solid Art, Taipei

中文

RESEARCH BLOG

more

EVENT

Citing Bar: Sea Forest 

23 Sept 2023

Solid Art, Taipei

 

*In collaboration with Nan-Jay Wang (camera), Capitol K (sound)

*Special thanks to Professor Sheue, Chiou-Rong and Professor Lin, Hsing-Juh, both from the Department of Life Sciences at the National Chung Hsing University in Taichung, Taiwan, and artist I-Chen Kuo.

DSC_3162.jpg

 

海上森林:台灣紅樹林

郁媜

粗剪版,4K 動態影像,6分40秒

數位影像,依場地而定

持續進行中的新計畫「海上森林」探索台灣的水文地景,以及具有高度物種多樣性的紅樹林生態系

王郁媜長期關注科技進步與人類發展,以及人為影響環境錯綜複雜的關係。近兩年創作一系列回應英國煤礦史、泥炭地被用於農業和燃料,碳排、自然資源耗竭、生物多樣性喪失而引發的種種危機。

 

藝術家2023年夏天在台灣西部沿岸踏查,聚焦在淡水河、濁水溪、曾文溪等出海口,梳理水文地景的歷史脈絡,探索具有高度物種多樣性的紅樹林生態系。這種獨特的海上森林如何面臨人為開發破壞棲地,80年代水利政策大規模人工造林導致生態平衡失調,到近年疏伐紅樹林成為捍衛台灣特有種招潮蟹的環保議題。然而,紅樹林提供生態系服務穩固海岸、防止侵蝕、淨化水質、防風與減少暴潮海浪的衝擊等,更重要的是碳匯、氣候處理功能,這是當今全球急迫關注、面臨氣候變遷,不容忽視基於自然的對應策略。

 

*共同創作:攝影王楠傑,配樂Capitol K

*特別感謝:中興大學生命科學系許秋容教授、林幸助教授協助研究,藝術家郭奕臣

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